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Anna & Elizabeth

Anna & Elizabeth

Inspired by the richness and tradition of mountain music, Anna & Elizabeth gather songs and stories from archives and visits with elders. They bring these songs to life in performance with sparse, atmospheric arrangements using guitar, banjo, fiddle, and the uncanny blend of their voices in close harmony. Anna & Elizabeth accompany their songs with stories — of the lyrics, of the singer, of the quest to learn the song—and they illustrate them in mesmerizing fashion. The two revive the old scrolling picture show, dubbed “crankies”—intricate picture-scrolls illustrating the old songs they sing, which they create in tandem with papercuts, shadow puppets, prints, and embroidered fabric.

“If you've never thought your tastes would lean to mountain music, take a deep breath and soak it all in." - NPR Music

Anna & Elizabeth met in 2011, and their work has brought them to stages across the world, including the Atlanta Museum of Modern Art; folk festivals in Brooklyn, the Yukon, Chicago, Maine, and Uzbekistan; residencies at universities; summer traditional music schools; and small theaters and folk clubs across the U.S. and U.K. Their second album, which features Grammy nominee and legendary folk singer Alice Gerrard, was released March 2015 on Free Dirt Records. It has been featured on Vice’s Noisey, the Huffington Post, No Depression, and NPR Music’s Tiny Desk Concert series.

This winter, Anna & Elizabeth are beginning a new cycle of work, inspired by ballad singers of the 1930s and 1940s in Vermont and Virginia—the states where they grew up. Spending time in archives, with the families of these singers, and with a director, Anna & Elizabeth will explore connections between place and tradition to develop a new show, a new set of crankies, and a new album inspired by these ballads.

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Helen Chadwick

Helen Chadwick

A singer, songwriter, composer, performance creator and voice coach, with a background in theatre, Helen writes unaccompanied songs for voices and creates solo and group performances with Helen Chadwick Song Theatre.

Helen Chadwick has been commissioned to create song theatre performances for the Royal Opera House, English Touring Opera, Greenwich and Salisbury festivals, and has composed for the BBC, the Royal Shakespeare Company and the Royal National Theatre, where she is composing the songs for Light Shining In Buckinghamshire which opens in April.

She has recorded ten albums, including her latest House of Light. Helen is the founder with Thames Festival of the mass choir charity project Sing for Water. Helen Chadwick Song Theatre’s productions include:

War Correspondents - based on interviews with journalists working in conflict zones

White Suit - an outdoor show based on the testimony of a Colombian land mine survivor.

Helen also creates concerts and site-specific work and is touring a trio version of Dalston Songs, which was commissioned by the Royal Opera House. She has collaborated extensively with storytellers, including a performance on Aphrodite and the Gods of Love commissioned by the Getty Villa in Los Angeles. Her solo song theatre performances have toured in Europe and South America.

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Preetha Narayanan

Preetha Narayanan

Preetha Narayanan is an accomplished violinist who has performed and led projects extensively around the world as a soloist, collaborator, and in bands such as Oi Va Voi and Shammi Pithia. Merging Western and Indian Classical training with a wide range of influences from her collaborations and research, Preetha is sought after for her distinctive voice and unique sound. She completed a Masters in Leadership at the Guildhall School of Music and Drama in London in 2010, where she is currently doing doctoral research.

Preetha has co-founded two ensembles: FLUX, a four-member band developing a reputation for multi-instrumental talent and energizing sound and Quest Ensemble, a contemporary classical trio whose original works seamlessly blend improvisation with devised composition. 

In addition to performance, members of Quest work together in London, the UK and abroad to lead projects in education and collaborate with artists of all mediums.

TWITTER | FLUX WEBSITE | QUEST ENSEMBLE WEBSITE

Misha Mullov-Abbado

Misha Mullov-Abbado

Winner of the 2014 Kenny Wheeler Jazz Prize, Misha Mullov-Abbado is an in-demand bass player, composer and arranger based in London. He is a 2014 City of Music Foundation Artist and recently released his debut album New Ansonia consisting of all his own compositions performed by his quintet on Edition Records, which has been included in “Best Jazz Albums of 2015” by The Telegraph and BBC Radio 3 and been extremely well-received in newspapers and magazines across Europe. As an experienced band-leader but also a versatile sideman Misha has performed at many of London’s top venues such as Ronnie Scott’s, the Vortex, 606 Club, Pizza Express and Royal Albert Hall’s Elgar Room (as part of the BBC Proms Late series), as well as venues in the rest of the UK and Europe. Having won the 2014 Dankworth Prize for jazz composition Misha is an experienced composer and writes for various jazz groups as well as classical soloists and ensembles, and is influenced by a variety of jazz, classical and pop music.

After graduating from Gonville and Caius College Cambridge, where he studied music and composition with Robin Holloway and Jeremy Thurlow, Misha received a scholarship to study double bass at the Royal Academy of Music on the prestigious Masters jazz course with Jasper Høiby, Tom Herbert, Michael Janisch and Jeremy Brown. During his final year at the Academy Misha started his group and has been performing with it regularly since, with all concerts being very well received, and winning the Kenny Wheeler Prize in his final term has led him to record his debut album. Misha is currently in the process of recording the music for a second album to be released with Edition Records in 2017. As well as writing for his band Misha has been commissioned by a variety of musicians and ensembles such as Viktoria Mullova, Thomas Larcher, the London Schools’ Symphony Orchestra, the Pelleas Ensemble, the Hermes Experiment, and the North Sea Ensemble.

Since leaving the Academy Misha has been performing with a variety of musicians such as Stan Sulzmann, Paul Clarvis and Enzo Zirilli – the latter he plays with regularly in his quartet Zirobop, a band that Misha also plays horn in. He co-directs the Patchwork Jazz Orchestra, an exciting new big band in London that plays original compositions written by members of the band, that has recently won the 2015 Peter Whittingham Award. Misha also plays as a sideman in various projects such as Orquestra Mahatma, the Tom Green Septet, Ralph Wyld’s Mosaic, the Tom Millar Quartet, Ben Brown’s Waaju and the Liam Dunachie Quartet.

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Matthew Sharp

Matthew Sharp

'Virtuoso of the arts' (The Times) Matthew Sharp, has performed worldwide as solo cellist, baritone, actor and director - solo appearances with the RPO, LPO, RLPO, CBSO; singing principal roles for Opera North and ROH; acting principal roles at the Young Vic and NT Studio.

From Glastonbury to Glyndebourne, he has worked with an extraordinary spectrum of leading artists from Sir John Tavener to Marta Eggert to Dave McKean to Caryl Churchill. His own music and theatre works have toured to major festivals globally. He has given over sixty world premieres and recorded for Sony, EMI, Decca, Naxos, Somm, NMC, Avie and Whirlwind.

'…he held the breathless attention of the audience with his vivid, poignant performance… remarkable.' - The Independent

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Juliet Fraser

Juliet Fraser

Juliet was educated at the Purcell School as a first-study oboist and then at Cambridge University where she read Music and History of Art. It was whilst a student there that she started singing, in the chapel choir of Clare College; subsequently she sang with professional choirs such as Polyphony, Tenebrae, the Monteverdi Choir, The King's Consort, The Tallis Scholars and BBC Singers. In early music, she has worked with European consorts Ensemble Polyharmonique and Gli Angeli Genève. She was a regular member of the soloists of Collegium Vocale Gent, directed by Philippe Herreweghe, for six years, performing and recording Renaissance polyphony by Lassus, Vitoria, Gesualdo and Byrd.

In new music, Juliet has performed as a soloist with Klangforum Wien, ICTUS, Plus-Minus, We Spoke: New Music Company, London Sinfonietta and BBC Scottish Symphony Orchestra in festivals such as hcmf//, Tectonics Glasgow, Transit 20/21, Donaueschinger Musiktage, MaerzMusik and Wien Modern. Recently, she has created duo projects with pianist Mark Knoop and percussionist Maxime Echardour. She has premièred well over 100 works, many of which have been written for her, working particularly closely with composers Michael Finnissy, Bernhard Lang, Rebecca Saunders, Stefano Gervasoni, Frank Denyer, Christopher Fox, Matthew Shlomowitz, Cassandra Miller and Andrew Hamilton.

Juliet is principal soprano of EXAUDI, the acclaimed contemporary music vocal ensemble, which she founded in 2002 with composer/conductor James Weeks and with whom she makes regular appearances at major European festivals such as Aldeburgh, Spitalfields, hcmf//, ManiFeste, Festival d'Automne, Ars Musica, Wittener Tage and Darmstadt Ferienkurse.

Opera roles include Neige in Catherine Kontz's NEIGE at Grand Théatre de Luxembourg (2013), Tina in Limbus Limbo by Stefano Gervasoni at Musica Strasbourg, Automne en Normandie, Opera de Reims and Opera Comique, Paris (2012), and Grace Hartigan in Larry Goves's I do this I do that (2011).

Juliet has been nominated twice for an RPS Award in the Singer category and is currently supported by Aldeburgh Music's Open Space scheme. Her first dedicated solo disc, a recording of Morton Feldman's Three Voices, was released on the HatHut label in November 2016.

As a new music soloist, Juliet is represented by Graham Hayter of CMPromotions.

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